anime review – reposted

All reviews written when the blog is still at Windows Live Spaces. Usually shorter and inferior in quality. Not used anymore.


The main character of the anime.

As promised in the test post, here is the review of Lucky Star, another series that is overhyped all over the tubes, especially the main culprit that is 4chan. Did the series is as guilty as the often-referenced Haruhi Suzumiya or will it be able to challenge Nodame Cantabile and claim the award? Complete with hi-res images, no more downsampling.


One of the many delusions of the main character.

Story:-
This Azumanga Daioh-esque series sees Izumi Konata and her 3 friends communicate with each other and others in their high school, often in humorous ways. Her friends sometimes has problems dealing with the otaku that is Konata, which led up to many funny, snarky and witty dialogs, which ironically will prove to be the series’s downfall. The main feature of this series is the plentiful of references/parodies of other anime/manga/TV shows/commercials/events/personalities and more, due to the geeky nature of the main character. The 2 most referenced anime are The Melancholy of Haruhi Suzumiya and Full Metal Panic.

Now the main weakness of the anime is that 98% of the time, all the jokes are delivered by the means of dialogs and body languages, usually at high pace. Imagine the snarky remarks that the main character in Kino no Tabi made, only far more frequent and faster. The CTRL + <– button combo on Media Player Classic is really my good friend. This is personally the first time I have seen such a dialogue-heavy comedy title with near-zero slapstick humour. It works well at first but getting stale as the series marched on, plus it also requires more concentration to enjoy the series. Other common comedy series such as Azumanga Daioh, Galaxy Angel or even Haruhi Suzumiya has a nice mix of slapstick humor, witty/funny dialogues, facial/body languages or just plain humorous actions that we all can laugh at, but Lucky Star heavily favours only one method of joke delivery.

The story (or the lack of it actually) started well up to the first 10 episodes or so before starting to taper off towards the end. I blame it squarely on the introduction of extra characters in the second part of the series, compounded with the weakness described above. The introduction of the new characters cut down the screen time of the best character of the series, Hiiragi Tsukasa which is the only character that is the most versatile from the 4 main characters. She is the only one who seems able to use other methods other than dialogs + body languages to deliver her share of the humour.

The jokes in the series are excellent, no question about that. But being deployed monotonously in only one way for 24 episodes takes some of the potency off them. The jokes deals with issues of everyday life, video games, anime, life as an otaku, romantic interests and many more. Prominent in the series is the heavy reference of other anime/manga etc that is listed above. In fact, my favourite moment in this series is the parody of Initial D in episode 6, which reeks of awesomeness. Notice that the parody is done not via dialogs or body languages but with plain pure action, complete with the appropriate music and superb execution of the gutter driving technique.


The Initial D parody scene…

Character Design:-
The character designs in this anime is generic and average, nothing really worth writing about. You know, big eyes and hair colours that can be anything but black. Most of the time you will not be able to see the main characters’ real faces anyway, that’s how that often facial expression techniques are abused in the series.


…complete with the immortal line from the anime. BTW there are no five consecutive hairpin curves ahead, just one.

Voice acting:-
Unlike the character design, the voice acting in this series are good, especially for Konata and Kagami. Good, but not excellent. Despite Konata having a good voice actress, the style of the joke delivery via dialogue is pretty much very singular without any visible effort by Hirano Aya and co. to use variations in tones and techniques when speaking to each other. Episode 1 already set the theme, in a classroom environment, where the 4 main characters banters with each other. The style you see in the episode will be used repeatedly throughout the series, making the weakness mentioned above magnified even more.


3 Initial D parody screens, that’s how good the scene is. If you like Initial D, this scene (less than a minute long in episode 6) is good enough reason to watch Lucky Star.

Music:-
The OST is decent, but not the OP theme. For the unorthodox ED themes (one for each episode – usually covers), it largely fails with too few exceptions.


This character perform one of the better ED themes in this anime. Sadly, not many is as good as hers.

Animation/Direction:-
The animation is very fluid across all scenarios. 2D and CGI scenes blends together seamlessly like the one in the Initial D parody. Action-related scene are also choreographed well. The directing is average at best unfortunately, nothing much can be said.


A parody of a series I did not know.

Conclusion:-
8 out of 10.
Nodame Cantabile still hold the provisional title of the best anime of 2007. This anime is actually better than Haruhi Suzumiya, but nowhere near the level of Azumanga Daioh (which I highly suspect this series tried to mimic). A pity, considering that when it comes to quality of the jokes, Lucky Star are not far behind. And for the 2007 reference, Claymore with its f*cked up ending is also better than this series.


Another parody scene from a familiar TV show.

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One of the DBZ-esque powerup sequences you will see a lot in this anime.

My third review of a 2007 anime, this one is for Claymore, and read on whether this one can usurp Nodame Cantabile’s provisional position as my Anime of the Year 2007. Do you see the background image of this semi-transparent blog? That comes from the manga version of this anime.

Story:-
Disclaimer: I have read the manga before watching the anime.

Clare (no last name hahahaha) is a Claymore-wearing warrior whose job is to save townsfolk from demons in a medieval world setting in behalf of a mysterious organization. Sound innocent enough in a typical shounen anime setting, but she actually is searching for the killer of her benefactor that died a few years back.

The synopsis may seems lacking, but this anime have plenty of substance in it. She is involved in various situations while trying to find the object of her revenge, from doing covert operation in a hostile land to evading being killed by her own employer. She eventually find the one she wants to kill, but Clare let her away in anticipation of a second season.

This leads to my main complaint of this series. If a second season is in the planning, why the ending part of the anime is twisted heavily from the original storyline found in the manga? It would have been much better if the anime ends just the way the first part of the manga ends and that will build up anticipation for the second season. There is not even an original story at the ending, instead, the Northern Land arc (the ending of the first part manga storyline before the time jump) is completely butchered with major twists and a battle (and reunion) that should never have happened. If there are no plans for a second season, which is understandable because of the pacing of the manga releases, the villain should have been killed at the end. At it now stands, the anime series has no closure at all (a telltale of a impending second season) with almost no chance at all to follow the manga.

That issue above is the main reason why Nodame Cantabile will stay as my Anime of the Year 2007 winner, for now. Just like Claymore, Nodame Cantabile ends up (quite hurriedly) at the first part of the manga storyline, but the story remains faithful to the manga (despite some omissions) until to the end. Claymore is actually more faithful to the manga version compared to Nodame Cantabile, with no fillers at all, but the disastrous alteration of the last story arc ruins everything.

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There are plenty of boy-love here….

Character Design:-
The main weakness of the manga version is that plenty of the characters looks way too similar. You have to reread some parts of the manga just to make out who is who. Even worse when it comes to action scenes, which this manga has a lot. This is why the anime is so refreshing because the problem that plagued the manga did not appear here. The design is not exactly that good but the originals found in the manga has been improved to help identification. Maybe it is the colours….

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…and some girl-with-girl actions too.

Voice acting:-
Just like Initial D, there are plenty of heavyweights in this anime. From Clare who is voiced by Houko Kuwashima up to Ayako Kawasumi who has only a few lines in the anime, voice acting in this anime are superb all around. Almost on par with Nodame Cantabile, and definitely a positive for this anime.

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Ok, someone should be arrested for this!

Music:-
Unfortunately, this section is definitely inferior to Nodame Cantabile. While the OST and ED theme are decent, the OP is not.

Animation/Direction:-
Another major plus of the anime, and the only part that exceeds Nodame Cantabile (mainly because Nodame Cantabile does not have action scenes). The animation is fluid even in the fast scenes. And the choreography of the swordplay scenes is something else, especially between Claymore warriors. Those swordplays are the ones that you can only see from Fung Wan and the likes of it. Even the manga did not really depicts the intensity of the actions portrayed in the anime. Claymore is definitely one of the best sword-play anime I have seen, better than Rurouni Kenshin that is too technical or Samurai Deeper Kyo (which incidentally has the same problem as Claymore, but at least it has a closure).

The directing can’t have it easier, all the director do is to faithfully follow the superb manga storyline, up until the end. He/she can’t go against the producers anyway….

Conclusion:-
Despite the disastrous ending, I will still give this anime 9 out of 10. 1 point docked because of the ending. Claymore would have probably get a chance of getting the award if it follows the manga storyline to the end. Until today, I still did not get it why the Northern Land arc is twisted like that.

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Hey you mam at the right. Just let your daughter see another fine young thing carry a head around town!

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Put the sponsors’ logos here.

This is the review of all 4 stages of the Initial D anime, which is mainly the reason why it takes so long for me to watch. read on if you wanna know whether you should waste some considerable time watching this series. This review will encompass all 4 stages into one short review, the trademark of this blog.

Story:-
Takumi Fujiwara is a daydreaming high school student who broke the traffic law everyday by delivering tofu for his father on a Toyota Sprinter AE86 Trueno, without a license and also no plate number, on Mount Akina’s downhill. Nevertheless, he also drives way faster than the law allowed, with the speed exceeding 100km/h on a 40km/h zone. Takumi still bothered to wear the seat-belt though, which I think is ironic because of his VERY DANGEROUS way of driving. He was then followed by others who also broke the same laws, leaving his best friend above (picture) in the dust.

The subsequent seasons sees some of the drivers repented and started to drive with number plates on, and Takumi also gets his license. Still, they still flout the traffic law by driving way above the speed limit. And I have never seen a single policeman or traffic police chasing after those lawbreakers featured prominently in this series.

Well, that’s what the story is all about, which is about drivers driving fast. The story is decent, but I tell you, all that is important here is the street racing with plenty of that drifting thingy. The first 2 stages or so, the series tried to have some sense of storyline but the producers eventually become wiser and just shove the storyline for more and more racing by the time of the 4th stage. And yeah, the 4th stage is the best stage from all the stages here. Hahahaha.

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Sudo Kyoichi is more observant of the traffic law compared to our gas-attendant hero. At least he has number plates.

Character Design:-
Being a classic from the last century, the character design reflects the trend of that era. And the author Shuuichi Shigeno suffers the same flaw Naruto author did, he does not know how to draw beautiful female characters. Definitely not the main point of the series.

Voice acting:-
Unlike the character design, voice acting here is excellent, at least for the main recurring characters. There are plenty of heavyweight here such as Miki Shinichiro, Tomokazu Seki and Wataru Takagi, even Ayako ‘Nodame’ Kawasumi who play a cameo as the hero’s love interest.

Music:-
Another great point of the series. The OST is decent but with plenty of insert songs of the dance variety. Meanwhile, there plenty of good themes; they are the 1st stage first and second OP themes, also the first ED theme; third stage OP theme; and all themes in the 4th stage. Only 2nd stage has fully disappointing themes. Those insert songs really gets you in the mood, especially in the midst of a race when an overtaking move is performed.

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The Lan-Evo may be going down, but at least the vehicle has a plate number.

Animation/Direction:-
The animation is decent but the integration of the 2D and CGI scenes is not smooth especially in the first 2 seasons. It does improve as the show goes on. The directing is superb, with all those action scenes, backed up with great camera shots and also the insert songs. One of my favorite scenes is when Shingo Shouji tried to crash onto Takumi but failed. The failure is presented in slow motion with Rage Your Dream insert song start playing in the background. I love such scenes very much!

Conclusion:-
9 out of 10
. Definitely a must watch if you are an automobile fan. But even if you don’t, this is still a good series to watch.

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Our hero eventually repents and put on a plate number on his 86 Trueno.