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In this OVA, the greedy money-spinning main protagonist actually spends up his ill-gotten surgery fees very well. Here you can see him sipping pina colada somewhere in La Manga while sizing up potential young women for one-night-stands.

When I wrote my review of Black Jack 21 a couple of months or so back then, I mentioned that that particular title is the final Black Jack title that I will review in this blog. I made that claim because I initially thought that there are only two seasons available within the franchise (the Black Jack 21 mentioned above, and also its predecessor which is the excellent slice-of-life title Black Jack TV). Someone in this blog’s Facebook page then informed me about the existence of the OVA (and other titles too) and that I should watch it too. Therefore, here he is, the wicked doctor has returned to this blog for the third time, and highly likely, not for the last time either.

This 10-episode OVA was aired in Japan in a 7-year span during the 90s, so none of the ‘Anime of the Year’ holders listed at the right sidebar of this blog will be challenged this time around.


You really cannot blame him for doing so though, because in this OVA, it's always raining cats and dogs at his house on the cape.

Story:-
My synopsis from the first Black Jack title I reviewed here (Black Jack TV):-

This anime revolves around a part-time unlicensed veterinarian, full-time genius unlicensed surgeon who performed near-miraculous surgery feats while charging outrageous fees on his weeping patients. Aided by a pseudo-loli assistant, he prowls around Japan and around the world, extorting desperate people out of their life savings, one episode at a time. Then he buys more exotic islands. The end.

Well, in this OVA, the main protagonist still extorts outrageous fees out of his unfortunate victims, but at least he doesn’t blow it on exotic islands anymore (see the first screenshot above to see how he launders his ill-gotten gains instead). Another notable difference in this OVA is that the main protagonist seems to work more outside of Japan, usually on fictional South American countries. But the most important difference between the previous two Black Jack series reviewed here before and this OVA is that the pseudo-loli assistant’s role as the main protagonist’s helper has been diminished a lot, with her featuring in about only 4 episodes in the OVA at all.


Even back then, our main protagonist doesn't hold back at charging people out of their life savings. Seen in this scene is the case where he charged 3 million dollars or roughly 250 million yen right in the first 10 minutes of the OVA.

Just like Black Jack TV, this OVA is also episodic, with one disparate plot per episode. Furthermore, just like the TV series (and unlike Black Jack 21), the plots are not interconnected at all, which means that you can skip any episodes and you won’t miss anything at all story-wise (although of course you will miss the awesomeness of this anime). But unlike Black Jack TV, each episode in this OVA is roughly 50 minutes long. This means that this 10-episode OVA is comparable in length to a 30-episode series, and is half the length of Black Jack TV. The long episode format is definitely the biggest selling point that this OVA has.

You see, with the 50-minute episode length, it enables finer nuances plus comprehensive context and background stories to be ingrained within the main plot of any given episode that I am watching. This means that none of the episodes in this OVA suffers the hurried story presentations, broken scene transitions and fast pacing problems that plagued some of the episodes in the TV series. The detailed nuances and context plus the more elaborate background stories that explained the circumstances of the main protagonist’s patients will then allows better and smoother storytelling gigs compared to what you can see not only in the TV series, but also Black Jack 21.

But while this OVA has a superior presentation than the two Black Jack titles reviewed here before, the plots adapted into the OVA from the manga is inferior to what you can see in the TV series. I’m not saying that the stories in this OVA is bad, because in general they (the stories in this OVA) are really good. It is just then when compared to the stories within the 10 out of 10 TV series, the OVA will definitely come short. The only episode which I can call outstanding is the heart-wrenching episode 5, which incidentally also featured the rare incident where the main protagonist actually failed to save his patient. This OVA could have become MUCH BETTER if the plot in 9 of the better episodes in the TV series were adapted into this OVA instead, taking advantage of the superior presentation that this OVA has.


While still a slice-of-life anime, there are a couple of explosions happening here and there in this OVA.

Speaking about the storyline, while the OVA is still within the slice-of-life territory just like the TV series (but unlike the kiddy shounen genre seen in Black Jack 21), you will be able to see some mature themes (and scenes) in this OVA. There are also some explosions in this anime, just like Black Jack 21 and unlike the TV series. And for once, the surgeries in this OVA is more measured and far more believable than some of his gigs in the TV series or its sequel. There is no surgeries like the anesthetic-less open-heart surgery seen in Black Jack 21 in this OVA. And he doesn’t do animals too (or should I say ‘again’?). Oh, before I forgot, I should also tell you that the main protagonist in this OVA, while still as greedy as ever, is more involved with his patients and their circumstances, unlike the aloof him in this OVA’s two sequels reviewed here before. That could be good, or bad, depending on your opinion.


While the main protagonist has stopped being an unlicensed veterinarian, he has become a psychologist instead. There is nothing he can't or won't do when he starts chasing for more yen.

Character developments in this OVA is almost non-existent. This OVA never discussed the background of either the main protagonist or his pseudo-loli assistant. There are only 2 recurring characters from the TV series or its storied sequel in this prequel OVA, but their backgrounds are not touched either unlike in the two titles reviewed here before. You can say that this anime doesn’t have a starting point (unlike the TV series that started with that beach explosion), with the main protagonist being shown strutting his stuff and expertise cold turkey. But just like the TV series, this OVA doesn’t have an explicit ending, which is just fine and dandy being set up for more sequels to follow. I did tell you that this OVA is the first animated title of this series right, while the TV series being third in the series and Black Jack 21 being the fourth one.

In saying that, I will definitely review more Black Jack titles here in the future, it seems that there are at least 2 other titles to watch. But not in the near future though.





Damn! The main protagonist has never done things like these before! I knew that he will leave the pseudo-loli assistant behind sooner or later.

Character Design:-
The character design for all recurring characters in this OVA is different than their equivalent in the TV series or Black Jack 21. A great example of this is the pseudo-loli assistant. In the TV series and Black Jack 21, she has flaming red hair, while in this OVA, she has a more mundane brown hair. The design for the main protagonist did not change though.

It is blatantly obvious that the character designs in this OVA is less Westernized compared to the TV series and Black Jack 21. Frankly speaking, you will not see the unique style that the original author Osamu Tezuka has on the characters here that is not the main protagonist. Because of this, I will say that the character designs in this OVA is inferior to what you can see in the TV series and Black Jack 21.


The design for the pseudo-loli assistant is different than the one in Black Jack TV and Black Jack 21.

Voice Acting:-
The two main characters here are still voiced by the same voice actors/actresses (quite surprising considering the age of this OVA), therefore my comments from the previous two reviews still applies.

Music:-
The OST is sparse, but actually is better than the ones in the TV series and Black Jack 21. This OVA has four OP themes and four ED themes, but only the 1st OP and ED themes, and also the 2nd and 4th ED themes are any good. The 1st ED theme in particular is excellent.


A human hot spring. Just one of the hazards he encountered on his way of more millions of yen.

Animation/Direction:-
The animation quality in this OVA from the last century is good, even in fast-paced scenes. Choreography in the small amount of action scenes here are passable at best. The director of this OVA is better than the one who does the TV series and Black Jack 21, if the superb presentation is taken into account. Too bad that the superb presentation did not accompany some of the best chapters that is available from Osamu Tezuka’s source manga though.


No Winamp yet in our main protagonist computers, unlike in Black Jack TV. This OVA predates that music player you know?

Conclusion:-
An easy 10 out of 10 score, just like what the TV series managed to get. While inferior story-wise, the presentation more than make up for it. The final episode of this OVA has given me a hint of what title I will watch next. So watch this blog in the very near future because the next entry will come up very quickly.


Is our main protagonist a closet 'Karaoke Ninja'? Watch this anime to find out.

Shortlink: http://wp.me/prgSo-iP


The main protagonist and the best character of the series by a million miles: Hirasawa "Tree G" Yui.

If you have visited this blog’s Facebook page in the past week or so, you may have read that the second season of the K-On! series will be the next anime reviewed in this blog. This review is late because I waited for the anamorphic 1080p release by Chihiro instead of the usual 720p releases by other groups. This anime is the sequel of the first season reviewed here before, and it also become only the second challenger to the current ‘Anime of the Year 2010’ incumbent, Working!!


One sample of the various crazy things she does throughout the series.

Story:-
Continuing from the not-so-stellar ending of the first season, the main protagonist and her goons in the Light Music club now enters the third year of their high school life (well, one of them is in second year though). Giving up their original mission of trying to play in Budoukan, they settled instead on slurping more high-grade teas and mooching their ways upon mountains of pastries, sandwiching the rare occasional events where they actually have to do their club activities properly.

The second season, I have to admit, is a vast improvement when compared to the dismal first season. One thing the second season has done to differentiate itself from its predecessor is to ditch the pretense of a storyline and went into a well-paced slice-of-life genre full-time. That may explain the general lack of music playing when compared proportionately with the first season, and the huge increase of fluffy events that is thisclose of making this anime episodic. Just to be clear, this fact doesn’t make the second season bad; after all there are quite a lot of good anime titles out there that have also done the very same thing. But while the genre switch has given the second season a great start and a solid foundation, whoever wrote the story doesn’t fully capitalize upon the switch’s new advantages.

This can be seen from the second season’s continuing overdependence on the main protagonist, a legacy of the first season. With the genre switch mentioned above, this anime cannot depend anymore on a distinct storyline, thus increasing the burdens of main protagonist as she single-handedly carries the series on her back, just like she did in the first season. Vast majorities of the good things that you can see in this anime originates from her, or has her on the center stage. She was also helped by the fact that the second season doesn’t repeat another mistake that the first season has done, which is maligning her role in the second half of that season. Apart from some Yui-less episodes such as episode 5, 7 and 14 amongst others, the main protagonist is highly prominent throughout the second season. And that fact is actually the biggest reason why the second season is vastly better than the first one.

The second season could have become better if the rest of the Light Music club members actually chipped in and helps the main protagonist carry the series forward. Within the rest of the club members, only the drummer a.k.a. club president actually bothered trying to help the main protagonist (the best character in this anime), with varying degrees of success. Mio is still one-dimensional, as always. Meanwhile Azunyan is veering dangerously towards the emo territory, but her ‘mental breakdown’ in the last episode is definitely one of the highlights of the excellent ending (far far better than the one in the first season). But the worse culprit of them all is definitely Mugi-chan. The writer has dumbed her character down for the sake of the ‘curiosity’ plot device, causing her to actually become borderline retarded, doing things that she doesn’t do in the first season. The second season version of Mugi-chan has been made dumb, in a bad way, unlike the main protagonist who is pretty much stupid and clueless too, but in a good and cutesy way.


Never a truer word has been spoken before.

The Romeo and Juliet school play is a very good example of the main protagonist prowess, where she is able to excel even when casted as a peripheral character. Her mannerisms and ability to deliver great one-liners (that the rest of the characters cast seems unable to do in consistent basis) are what makes her the strongest and most interesting character in this series. While she is not as good as her contemporaries like Darling (but arguably better than her opposite number in  Working!!), her relative strength when compared to her below-average club mates and most of the rest of the supporting characters made her stands out from the rest.

As mentioned above, the ending is very well written, a far cry than the crap ending of the first season. It was written in a way that there are no sequels though, but a movie follow-up is in the cards (Hell will freeze if Japan doesn’t milk this franchise as long as possible). I hope whoever wrote the screenplay for the movie will not take one random (untold?) scene from the main protagonist high school years and make it the source material. As a homage to the unexpectedly good second season, I will definitely try and watch the movie in the future.


She can be deliciously offensive and inconsiderate too.

Character Design:-
My comment in the same section in the review for first season still applies.

Voice Acting:-
My comment in the same section in the review for first season still applies.


A 'How to Derail a Concert' guide from yours truly.

Music:-
The OST has improved when compared to what you can hear in the first season, but none of the four OP/ED themes are worth listening. The only insert song that is worth listening to is the one that the club performed in the final episode (that excellent insert song is actually one of the reasons why the ending arc is good).

Animation/Direction:-
My comment in the same section in the review for first season still applies. Anamorphic 1080p FTW though, more fansub groups should try and follow Chihiro’s footsteps in this regard.


Anamorphic 1080p FTW (stretched to FullHD by madVR). One of the most beautiful titles of 2010. Full image can be seen here.

Conclusion:-
9 out of 10.
Same score as Working!! is, but K-On!! will become the new winner of ‘Anime of the Year 2010’ title by virtue of winning 3 of the tie-breakers (except music). Without a perfect score, I don’t see K-On!! reign to last as long as the current holders of the 2007 and 2008 titles though.

Want to know what anime title I will review next? Visit this blog’s Facebook page here and see the sidebar for the answer.


If not for her contribution, this anime would have fared worse in the ratings.

Shortlink: http://wp.me/prgSo-iG

 
The main male protagonist, and also one of the two best characters in this anime. He is also one of the most dangerous threats to humanity since the appearance of his counterpart in Speed Grapher.

After patiently waiting for all 15 episodes of this series coming out on Blu-ray (and then sitting on it for a few months), I finally gets around to watch one of the most talked-about anime series in 2009, titled Bakemonogatari. Highly rated in ANN, this anime will compete with the current ‘Anime of the Year 2009’ incumbent, Zan Sayonara Zetsubou Sensei. These two anime titles’ main male protagonists are voiced by the same person, therefore will this anime be able to at least match the height that the current best anime of 2009 has attained?


And here he is, sizing up his underaged victim (who is also the other best character in this anime).

Story:-
Continuing from a story arc that will be made into a money-spinning OVA, the main male protagonist started his third year in high school. Late to school one day, he encounters a mysterious girl falling down on the stairway hall and managed to catch her, discovering her ‘weight’ problem in the process. He then helped solved her problem, then moved on onto sexually assaulting female middle-schoolers, chasing invisible snakes and running away from deranged white-haired woman-cat, amongst others.

Yet another one of those multiple-arc anime series in the mold of Index and Kaze no Stigma (maybe the majority of light novels’ anime adaptations are that way), the general storyline is quite good; not tanking most of the time unlike the two aforementioned examples above, but is not consistent enough like the similarly-formatted excellent first season of Kuroshitsuji. Here I am talking about the quality of the ending arc (which is also the longest one) which simply doesn’t match the strong performances that prior story arcs has shown before that point.

This anime makes many passing references upon the supposedly mysterious story arc (mentioned in the first paragraph) that happened before this anime’s main storyline started. The usage of flashbacks for this purpose is excellent; they are properly timed and also kept to the minimum. And those flashbacks sure had kept me very interested on the upcoming OVA that is supposed to be the prequel of this anime. If those flashbacks are any indication of the quality of the OVA, there will be more action scenes there than in this dialogue-heavy title. And that can only be a good thing.


He then used the usual baits employed by criminals in the same profession to lure the unsuspecting victim to him…

As for the presentation, I see only minimal problems with this anime’s pacing and control of the story progression. The pacing is pretty much spot on even in the below-average final arc, and there are no such things like fillers that interrupts the flow of the story progression. There are some references made to other TV shows too, but the most outstanding one definitely can be seen in the screenshot at the bottom of this entry. The way the ending was written, I would have thought that there will be no sequel to this anime, but I have come to understand that there is a sequel of this series still in novel format. If a second season is confirmed, a good composition like the one seen in Kodomo no Jikan ni Gakki will be essential.

Character development in this anime is good, helped by small numbers of recurring characters. The main male protagonist is definitely the best character in this anime, alongside the ghost that carries the huge backpack. Their ‘relationship’ is definitely one of the highlights of this anime. Meanwhile, the tsundere main female protagonist is nowhere as good as her counterpart in B gata H kei, in fact, she is the kind of tsundere that make me wish I have the ability to kill a 2D character. Fortunately for me, whoever wrote the story has the foresight to remove her character out from the storyline for a significant amount of airtime. She doesn’t suffer the fate of Index, but she is bloody damn close. And for once, this phenomenon is a very good thing.


…before the unrefined and lusty main male protagonist shows his vampire fangs (hahaha) and went for the jugular of his sized-up victim.

Character Design:-
The character design in this anime is decent, but not exactly outstanding. Black hairs are common though in this supernatural romantic comedy title, and that’s a good thing.

Voice Acting:-
Voice acting in this anime is excellent. There are no bad performances in this anime, and the two best characters of this anime that are mentioned in the story section above also surpass others in the regard. Definitely a positive aspect for this anime.


The victim tried to struggle back, fighting the evil intentions of the main male protagonist, but alas her efforts is in vain…

Music:-
The OST is quite good, but only the 2nd OP theme is worth listening from all the OP/ED themes in this anime.

Animation/Direction:-
Excellent animation quality all around (is it the Blu-ray effect?) even in fast-paced scenes. Choreography in action scenes in actually very good too, which is quite surprising. The director has done nothing wrong that I can spot; this is probably just your common safe and conservative directing gig. A positive aspect for this anime.

…and as the victim loses her consciousness, the vision of the true face of the innocence-busting main male protagonist will be etched into her memories forever.

Conclusion:-
8 out of 10.
Zan Sayonara Zetsubou Sensei will still remain the best anime of 2009 in this blog for the time being. Want to know what I will watch next? Visit this blog Facebook page at http://www.facebook.com/imouto.my. I will put the name of the show I will review next there.


There are quite a number of external references made in this anime, but the 'reaction guys' parody is by far the best one you can see in this anime.

Shortlink: http://wp.me/prgSo-iB